Freedom of the Press/Philosophical Origins/Tradition contributions/Postmodernism
What have religious and philosophical traditions contributed to our understanding of this right?
Postmodernism
With the various applications of postmodernism--architectural, aesthetic, literary, and many others—central to its (varied) perspective on the right to freedom of the press is its philosophical and theoretical insistence on, as Jean-Francois Lyotard stated in The Postmodern Condition, the “incredulity toward metanarratives” (Lyotard, 1984, p. xxiv). Such metanarratives are complete explanations of ourselves and reality which were historically offered by religions, the sciences, and politics (Woods, 1999, p. 20). Examples include the insistence of the Enlightenment that reason would carry humanity towards greater progress, or Marxism’s analysis that material conditions of people is the driver of historical events. The postmodernist rejects all-encompassing narratives because of the realization that all knowledge is severely limited by the inheritance and context of the individual. The “whole story” is inaccessible to the individual who creates a metanarrative. In his short essay Answering the Question: What is Postmodernism?, Lyotard concludes: “The answer is: Let us wage a war on totality; let us be witnesses to the unpresentable; let us activate the differences and save the honor of the name” (Lyotard, 1984, p. 82). By “the unpresentable”, Lyotard means an expression or subject that is not accounted for under the metanarrative that is currently accepted. Along with the rejection of metanarratives, so too are any objective truth claims thrown out as the assumption that reality can be understood is its own limited, contingent narrative. With these metanarratives out of the way, all that is left are local, micronarratives and, important to the postmodernist, are the micronarratives which explicitly contradict the metanarratives that are accepted.
With this analysis, postmodernism gives two main insights towards the right to freedom of the press—one flattering or supportive to the right, the other critical and deconstructive. The first, supportive, insight is that the right to freedom of the press allows for the dissemination of countless micro or small narratives. The right actively prevents the “violent and tyrannical” metanarratives from imposing their “false universality” (Woods, 1999, p. 21) onto the margins that do not have the same confirming experience. A free press entirely attacks the self-legitimation which these narratives perpetrate.
The second, more cynical insight is that the right to freedom of the press is at least an important mechanism for a metanarrative and at most a metanarrative itself. In Zühtü Arslan’s account of postmodernism’s interpretation of human rights, he claims: “[T]he most important feature of the postmodern discourse which makes impossible a friendly relationship with human rights is its hostility to the concept of the autonomous subject and to the idea of universality” (Arslan, 1999, p. 196). The human subject, with his autonomy and moral importance, is one that was constructed by the contexts and contingencies of the modernists that theorized him. With this, the universalization of this right fails before it even began. Moreover, any attempt by a government to establish such a right, as well as argue for its existence, is merely an attempt at self-legitimization of its own power. The right to freedom of the press is then, counter to the first insight stated above, an attempt to defend the metanarrative already established.
In the end, postmodernism gives two contradictory insights on the right to freedom of the press. One in which the freedom of the press is a tool for the micronarratives of the marginalized to express their points of view which contrast the tyrannical meta narrative, and the other in which the freedom of the press merely another expression of the dominant metanarrative already assumed and taken for granted.